"Just a Kid", 2023
contact print
20 x 25 cm
《小孩》，2023
接觸印樣
20 x 25 厘米
The theory of neuroplasticity challegnes the rigid framework that simply divides the brain into binary “male” and “female.” It explains that brain sex is not an innate, unchanging essence, but rather a dynamic process shaped gradually through lived experience.
Childhood trauma is a hidden undercurrent in queer narratives. These traces are not merely remnants of the past, but threads that seep into the fabric of growing up and influences the formation of self-identity. In other words, hir identity is always wounded.
When adults revisit the past through a queer lens, they often reinterpreted the fragments of memory. This brings up a reciprocal triangle between trauma, memory, and gender identity.
Holok is a genderqueer and lives in this planet as an alien. One day, ze returned to hir birthplace -- a modest village in Yuen Long -- accompanied by fragments of hir childhood: video clips, toys that hold secret letters, and unfinished voices.
Hiding, confronting, waiting— “It all began with one cry, ” ze said.
神經可塑性理論打破了將大腦簡單區分為「男性」與「女性」的僵化框架。它揭示出，大腦性別並非具有一種先天不變的本質，而是隨著個體經驗不斷變化、逐步塑成的動態過程。
而童年創傷，也許是酷兒敘事中潛藏的一層底色。那些記憶的痕跡不只是過去的殘影，而是不斷滲入成長的紋理，影響著自我認同的形成。酷兒身份從未完好無缺，而是與傷痕共生。
而當成年人以酷兒視角回望時，記憶的片段往往被重新詮釋。創傷、記憶與性別認同之間，形成了一個不穩定卻彼此牽動的三角關係。
可樂是一位性別酷兒，異星來客般棲居於這個世界。那天它回到它的成長之地，童年的影像與物件也一同隨行：錄像片段、藏有祕語的玩具、未竟之聲。
潛藏、對峙、等待——「一切是從那一聲啼哭開始的。」
Untitled, 2023
giclée print
21 x 30 cm
無題，2023
噴墨打印
21 x 30 厘米
"Portrait-03", 2023
giclée print
21 x 30 cm
《人像-03》，2023
噴墨打印
21 x 30 厘米
"Secret letters", 2023
giclée print
21 x 30 cm
《玩具》，2023
噴墨打印
21 x 30 厘米
"Godot (not) on TV", 2023
giclée print
21 x 30 cm
《果陀(不)在電視上》，2023
噴墨打印
21 x 30 厘米
"Arriving Earth", 2023
giclée print
21 x 30 cm
《重臨》，2023
噴墨打印
21 x 30 厘米
"Soil", 2023
giclée print
21 x 30 cm
《土壤》，2023
噴墨打印
21 x 30 厘米